Learn Spanish With Feid with these 11 Song Recommendations (Full Translations Included!)
Salomón Villada Hoyos, known by his stage names Feid and Ferxxo, is a Colombian singer, songwriter, and record producer born on August 19, 1992, in Medellín, Colombia. Emerging in 2013, Feid has become a prominent figure in urbano music, blending reggaeton, hip-hop, and R&B influences, inspired by artists such as Drake and Chris Brown.
Feid is celebrated not only for his solo work but also for collaborations with top Latin artists including Bad Bunny, J Balvin, Karol G, Sebastián Yatra, and Maluma. Notably, he contributed to the writing of J Balvin's hit single "Ginza". His distinctive sound, emotive vocals, and songwriting talent have earned him multiple awards, making him a key voice in contemporary Latin music.
Colombian star Feid teams up with Young Miko for "Classy 101," and let's be clear: this is not a sweet love song. It's a lesson in pure, unfiltered attraction. The whole track is a back-and-forth about wanting someone right now, with no strings attached. Feid kicks it off by admitting he's always imagining her, specifically what she looks like "sin ese Valentino" [without that Valentino dress]. He's blunt about his intentions: "Vamos a comernos, baby, aunque no sea formal" [Let's devour each other, baby, even if it's not formal].
Young Miko jumps in and matches his energy perfectly, describing a woman who is completely in control of her own desire. The chorus is the main idea here, describing someone who looks "cara, bitchy, classy" [expensive, bitchy, classy] but also likes things "freaky y nasty / Nada de lo romantic" [freaky and nasty / Nothing romantic]. It's all about a powerful, maybe even dangerous, attraction that's completely mutual and all about the physical connection.
This song is one big, satisfying "it's too late" to an ex who suddenly reappears. Feid sounds completely surprised to see her, singing, "Se siente extraño que tú estés aquí" (It feels strange that you are here). He reminds her of all the pain she caused, how he gave her his heart and she "lo desperdiciaste, me pagaste con dolor" (wasted it, paid me with pain). He's not holding back at all.
He's totally moved on and tells her that being without her is "lo mejor que me podría pasar" (the best thing that could happen to me). He even gets specific, calling her out for keeping the expensive jewelry he bought her and not calling when she went to Italy. He admits they were great in one area—"chingando éramos los mejores" (in bed we were the best)—but that's not enough to fix things. His final advice to her is pretty blunt: "Yo te recomiendo que te acostumbres a no estar conmigo" (I recommend that you get used to not being with me).
Feid is tired of being far away from the girl he likes, and even more tired of the rumors getting back to her family. Her mom is not a fan, and he knows exactly why: "Por las cadenas y por mis tatuajes / Porque ando siempre rodeado de bandidos" (Because of my chains and my tattoos / Because I'm always surrounded by thugs). He's got a bad-boy reputation, and her parents are worried. But Feid isn't trying to hide it. He pulls up in a big truck, ready for trouble, and makes it clear he's protective, warning that if anyone else touches her, "les cae to' el peso" (the full weight will fall on them).
Despite the tough-guy image, he's also trying to win over the family, sort of. He tells his girl to pass a message to her mom: "que algún día la saco del barrio / Y me la llevo pa'l Pobla" (that one day I'll take her out of the neighborhood / And bring her to El Poblado). El Poblado is a very nice area in his home city of Medellín, so he's basically flexing his success and promising to take care of them. He's rich, he's a little dangerous, and he's coming to pick her up to go party, telling her to sneak out the back.
Perfecta pairs Colombian stars Feid and Greeicy in a vibrant celebration of self-confidence and magnetic first impressions. The song opens with pure admiration: she feels amazing, her dress fits flawlessly, and even the night seems to revolve around her glow. Listeners are invited to picture a confident woman who walks out the door owning every step, so radiant that the moon gets jealous while the sun claims it saw her shine first. Feid urges her to let loose and dance, capturing that electric moment when someone’s presence lights up the entire scene.
As the playful back-and-forth unfolds, “Perfecta” becomes more than simple compliments. The singers trade flirty lines about honesty, independence, and the thrill of possibility. She reminds him that she doesn’t need anyone to define her perfection, yet she’s curious enough to listen if he says something truly original. He, in turn, promises sincerity because real connection matters more than smooth talk. Together they craft an upbeat anthem about embracing your own worth, being genuine, and letting love arise naturally when two confident souls meet.
ESQUIRLA paints the picture of a fearless woman who has turned heartbreak into high-voltage energy. Her ex left a “shrapnel” in her heart, yet instead of visiting a doctor or sinking into sorrow, she prescribes herself perreo, loud music, and shots with her friends. Each sweaty night on the dance floor erases another scar, trading pain for rhythm and neon lights.
Feid follows her as she upgrades her life from monotony to jet-setting selfies in New York, Milan, and Paris. The chorus reminds us that the wound was deep, but the real story is her self-repair: she’s not waiting for anyone to fix her. With booming reggaetón beats, the song becomes a celebration of resilience, confidence, and the liberating power of dancing until dawn.
Feliz Cumpleaños Ferxxo is like a voice note sent from the middle of a wild birthday party. Tipsy and nostalgic, Feid toasts himself while dialing up an ex-girlfriend, teasing that she should ditch “ese pirobo” (a Colombian insult for a loser) and join him on the dance floor. Over pounding reggaetón beats, he flashes back to the nights they burned up the club together, promising fresh drinks, hard perreo, and friends who will hype up the vibe.
Beneath the neon lights, the lyrics reveal a mix of celebration and regret. Feid admits he still thinks about her every night, even mixing pills with rum to numb the feelings. He brags about the chain he bought to see her shine and even offers plomo (lead) to any jealous ex who gets in the way. The result is a birthday anthem that blends swagger, longing, and raw Colombian slang—perfect for anyone who’s ever tried to party away a lingering heartbreak.
Feid’s “DESQUITE” drops us into the neon-lit chaos of Colombia’s weekend nightlife, where two partners in crime chase thrills rather than consequences. The narrator hooks up with a girl who already has a boyfriend, yet she keeps slipping away from her routine to meet him. Every Friday they look for hangeo (party action), showing up at any hour, phone on silent, willing to do whatever it takes to “steal” a moment together. Their chemistry is magnetic and risky, and that danger is exactly what fuels the excitement.
Beyond the pulsating beat, the song paints a picture of double lives and secret identities. On social media she plays innocent, but with him she unleashes her “powers,” forgetting rules, responsibilities, and even time itself—they link up “de martes a martes” (from Tuesday to Tuesday). Feid celebrates this rebellious energy, portraying both lovers as modern gángsters who refuse to follow society’s script. “DESQUITE” is ultimately about getting even with boredom, routine, and expectations, all while dancing through the night with unapologetic passion.
“Cual Es Esa” is Feid’s neon-lit postcard from a Colombian party circuit that never sleeps. Over a thumping reggaetón beat, the Medellín star and Pirlo trade verses that paint a VIP panorama: Medellín or Cali, private rooms, sunglasses at sunrise and cash carpeting the floor. Feid invites a daring love-interest to drop everything, slip into the scene “sin ropa,” and move her body to the perreo that “le sienta mejor.” In the middle of the flashing lights he flexes—bottles popping, entourage in tow, ten admirers at his side—showing how his childhood daydreams of fame have finally exploded into reality.
But beneath the swagger lies a cat-and-mouse game of desire. The woman who once kept her distance suddenly wants back in, tempted by Feid’s new “poder.” She’s a “loba, gata, bandida” who stays quiet, avoids jealousy, yet demands whatever she wants before the night is over. The hook “¿esa cuál es, ome?” mirrors the chaotic energy of choosing thrills in the club while hinting at skepticism toward late-night promises. Altogether, the song is a brash celebration of status, seduction and the irresistible pull of the dance floor—an audio snapshot of Colombia’s urban nightlife in full, unabashed swing.
Feid and Mañas Ru-Fino drop us into the after-party rush at 3 a.m., where the beat is low, the lights are hazy, and chemistry is off the charts. “La Vuelta” is a bold, flirtatious anthem that follows a pair of longtime crushes finally giving in to their attraction. Feid plays the confident lover who promises unforgettable thrills—reminding the girl that if her current guy slips up, one call is all it takes for him to swoop in. Between shots of tequila, high-energy dancing, and playful boasts, the lyrics paint a vivid picture of two people who have circled each other since school days and are now ready to seal the deal.
The title la vuelta is Colombian slang for “pulling off the move,” and that is exactly what unfolds: a daring late-night hookup powered by swagger, steamy compliments, and irresistible rhythm. At its core, the song celebrates seizing the moment, pushing aside rivals, and indulging in a night that both lovers know they won’t forget.
Heartbreak on overdrive - that is the vibe that runs through El Único Tema Del Ferxxo. Feid, joined by Chilean rappers Young Cister and Pailita, paints the picture of a breakup that hits as fast as a Ferrari from zero to one-hundred. The narrator watches his lover speed out of his life, taking a piece of his heart with her, while he’s left juggling regret, late-night parties and bottles that never seem to empty. He wishes her well, but you can feel the sting when he says it’s better she stays away.
Behind the flashy cars and street slang sits a very human confession: I gave you everything, but it still wasn’t enough. Each verse circles the same emotional loop - missing her, blaming fate, then trying to act tough by flexing new girls and stacks of money. Yet every time the chorus returns, the tough façade cracks and the loss feels raw again. It is a bittersweet anthem for anyone who has ever tried to drown a broken heart in music, smoke and neon lights, only to realize that the memories race just as fast as a sports car.
Velocidad Crucero paints a late-night escape where Feid invites his love interest to hop in the car, forget her rough day, and ride with him at “cruising speed.” The Colombian singer sets the mood with sleek rims, city hills, whiskey on ice, and a little weed, promising that the only dress code is his oversized shirt and her irresistible attitude. The song moves like a smooth drive through Medellín’s streets, mixing confidence, sensuality, and a dash of rebellious fun.
Beneath the glossy surface, the track celebrates living in the moment. Feid becomes the antidote to everyday stress, offering rhythm, intimacy, and good vibes as a remedy. When he says he will make her forget everything, he is talking about trading worries for music, headlights, and chemistry that accelerates until both reach their perfect “velocidad crucero.”
